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Film Analysis: Band Frontman Jason Williamson Takes On Role in Critical Look at 90s Rave Culture

Produced by Portishead co-founder Geoff Barrow, this sharp-edged if undernourished first film turns a sceptical eye on the ecstasy-fueled club scene. Self-serving pillhead David (Marc Bessant) initially steals from an passed-out supplier, then in a later recollection tries to break into his own parents. In no time, he's overturned in the remains of his car in a forest – and subject to the angry eye of the Woodsman (Sleaford Mods frontman Jason Williamson). Declining to free David, with impatience toward city dwellers, he is a fractured society embodied: “You’re one of those noisy cunts from up on the heath.”

A Shaky Start and Grimly Amusing Confrontation

Game gets off to a shaky start, lingering excessively on meticulously detailing David’s attempt to extricate himself from his safety harness, while awkwardly transitioning into flashbacks of his normal activities. The central theme – that the ecstasy generation were mainly focused on number one – is firmly made. But these brief episodes are insufficiently developed to properly prime us for what to expect when the Woodsman arrives, fuming after David strangles his dog. Still, a darkly funny duel takes hold – David desperate to escape; the Poacher withholding his jerrycan of cider, determined to soaking him instead in resentful talk. Williamson, exuding ponderous menace in the role, is reminiscent of Michael Smiley.

Stylish Imagery and Music Video Sensibility

Just a single important plot development, but it leads to a hilariously staged rampage on the woodland paths that veers toward rural terror. Filmmaker John Minton finally gets to go all in with his ostentatious visuals: where he was focused intently doing impressionistic closeups of bugs in headlights in the opening part, he now lets rip with the full lysergic 21-gun salute, soundtracked to a frenzied keyboard rendition of Ravel’s Boléro. Game feels more like an extended promo than a complete narrative, but there’s enough bold visuals to suggest that Minton could emulate Jonathan Glazer, Garth Jennings and others into making the leap from the UK video industry.

Game releases in British and Irish cinemas from November 17.

About the author

Barbara Booth

A passionate curator and gift expert with over a decade of experience in sourcing unique products for subscription services.

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